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Gramophone The Archive Beta


September 1995 - page              
59

Contents

Review | Editor's choice Górecki Klesnes Requiem für eine Polka, Op. 660. Concerto for Harpsichord and...

Vyner". Op. 63e'. 'Dawn Upshaw (sop,: °Sebast- ian Bell (11); acJl Coiitttable (p0; Elisabeth C'hojrtacka (hpd); C1)ayjd Hockings (pete); abI,,on_ don Siulonietta /"David Zinman, 'Markus Stenz. Nonesuch ID 7559-79362-4; ID 7559-79362-2 (59 minutes: DDD).

Review | J Hindemith Der Schwanendreher. Konzertmusik, Op. 48. Kammermusik No. 5, Op. 36 No. 4. Paul...

Hindemith composed three concertos for the viola, but unlike those for the cello which spanned the years 1915-40, the ones for his own instrument came in just eight: 1927-35. One might assume from this a homogeneity of style and while this is true up to a point (reinforced by the wind-based...

Review | OHovhaness Symphony No. 2, Mysterious

Prokof 1ev Lieutenant Kijé Suite, 0p 60b Stravinsky Divertimento from "La baiser de la fée". Chicago Symphony Orchestra I Fritz Reiner.

Review | JJanàöek Suite.

Suk Serenade in E flat, Op. 6. Meditation on an old Czech hymn, "St Wenceslas", Op. 35a. Virtuosi di Praga / Oldrich Vlcek.

Review | fKodáIy Symphony in C. Summer Evening. Magyar Rondo'. 'Christopher Warren-Green (vn);...

The more I hear Kodály's only Symphony, the more I like it. The music itself has an engagingly pastoral quality, with mild but memorable thematic material, lively - even somewhat over-wrought - musical arguments (probably the symphony's main weakness) and notably scenic orchestration. My last...


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