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Gramophone The Archive Beta


March 1990 - page            
39

Contents

Review | HAYDN. Symphonies—No. 31 in D major, Hornsignal; No. 45 in F sharp minor, Farewell. Orchestra...

Having recorded his Mozart series for Telarc with the Prague Chamber Orchestra, Sir Charles Mackerras here turns to the admirable American Orchestra of St Luke's for Haydn, an outstanding issue in every way, vividly recorded. What may surprise many on looking at the information above is that two...

Review | H I N DEM ITH. Symphonic Metamorphosis on Themes of Carl Maria von Weber. Mathis der...

Rickenbacher's resolutely Germanic approach better serves the pieties of Mathis than the fanciful parodies of the Weber Metamorphosis. In the opening bars of the former, each radiating string phrase assumes its own halo of sound: Hindemith's "Concert of Angels" singing to the tune of a believer....

Review | HOIST. The Planets, Hi 25a. The Perfect Fool, H150—ballet music. Women's voices of the...

A new set of The Planets on Virgin Classics offers the kind of lively, committed playing one expects from the Royal Liverpool Philharmonic Orchestra today and a zestful, direct approach from Sir Charles Mackerras. The recording, made in Liverpool's Philharmonic Hall, is full and spacious but...

Review | KABALEVSKY. Cello Concerto No. 2 in C minor, Op. 77.

PROKOFIEV. Solo Cello Sonata, Op. 133 (cpted. Blok). Cello Concertino, Op. 132 (cpted. Rostropovich, orch. Kabalevsky). Steven Isserlis (ye); °London Philharmonic Orchestra / Andrew Litton. Virgin Classics a) L:1 VC7 90811-4; (D VC7 90811-2 (55 minutes: ODD). Kabalevsky—comparative version:


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