Contents

Vivaldi. Concerto groaso in D minor, P.250. Scarlatti, A. Concerto No. 8 in F major. Telemann. Concerto in A minor for violin and strings. Geminlani. Concerto grosao in D minor, Op. 2, No. 3.

Fantasia in G major, BWV572. Chorale Variations on Sei gegrhsset, Jesu giitig, BWV768. Toccata and Fugue in D minor, BWV565. Toccata, Adagio and Fugue in C major, BWV564.

I'm glad that Ralph Kirkpatrick, in his note in the booklet that accompanies this set, states quite firmly that at the time when Bach published Das wohitemperierte Klavier "klavier" could still mean any keyboard instrument. In the following generation it came to mean specifically the most...

I can't summon up any enthusiasm for this. I suppose any record collector must by now be familiar with the experience of a performance from which all the spontaneity and interpretative presence appear to have been drained off, but really these accounts of three Beethoven sonatas by