Review | Britten Gloriana ENO ArtHaus Musik 102 097 Gloriana, Bnittenft richest, most affirmative score, splendidly produced by the English National Opera, with Sarah Walkergiving what was probably her greatest performance and the brilliantly adaptable but somewhat cramped set acquiring space miraculously created for it by the camera. | Page 48 - April 2008

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GLORIANA
MEMORIES of the English National Opera Gloriana prompted some disappointment when I learned that the Decca session in hand dealt with ceremonials...
Britten's Gloriana
I feel that it is certainly time for a recording of Britten's Gloriana. After some twenty-two years since composition, and taking into...
Gloriana
With the recent screening on Channel 4 of Gloriana may we now hope that EMI will follow their highly successful ENO recordings of Traviata, Mary...
Opera on Record 1993 means for me one thing:...
Alan Blyth for first review so it had better now give way to what was a very acceptable consolation-prize, the first recording of The Beggar's...
which of the Elgar symphonies is the finer, but...
Boult and Barbirolli have no rivals in these two symphonies, and with both giving such deep enjoyment it would be silly to keep praising one at the...

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Britten Gloriana ENO ArtHaus Musik 102 097 Gloriana, Bnittenft richest, most affirmative score, splendidly produced by the English National Opera, with Sarah Walkergiving what was probably her greatest performance and the brilliantly adaptable but somewhat cramped set acquiring space miraculously created for it by the camera.


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